Wie einst im Mai

Berliner Morgenpost, 04.2005: 
“The cardboard set (is) lovingly Spartan.” Neues Deutschland: “(...) Very imaginative stage (Christoph Weyers), which transforms with a few turns from the Potsdam train station to the aristocratic salon and Kross Tanzpalast to a film studio.” 

Musicalzentrale: 
“Stage designer Christoph Weyers underlines how funny the music is. He places the musicians at ground level in the centre of the action and quickly cleans up what at first glance appears to be a dreary stage space into a cheerfully colourful world with a revolving stage, set pieces that are lowered or moved in, and walls that can be opened up.”